Rough Crossing

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A hilarious, dazzling comedy -  "I laughed helplessly throughout the whole of the second act!" - Janice Dempsey gives Rough Crossing top marks...

DETAILS

Venue: Yvonne Arnaud Theatre, Guildford

Dates: 11 March - 16 March

SYNOPSIS

Two famous but desperate playwrights are stuck on an Ocean liner headed for New York, feverishly trying to rehearse their latest show before reaching land, and opening night. But they are constantly distracted by their delicate composer’s attempts to end it all, having overheard his lover confess her feelings to the leading man. Add an absurdly unorthodox waiter, a mistimed lifeboat drill and a vanishing glass of brandy and soon the sharp Atlantic winds turn to world-class gales of laughter as these colourful characters become tangled up in a typically Stoppardian string of absurd events. 

OUR VERDICT

We’re all aboard the SS Italian Castle for an evening of outrageous overacting, hilarious sight-gags, running gags, puns and misleading conversations sparklingly interwoven in the masterly way that fans will recognise from other Tom Stoppard comedies. This is a pastiche of musical comedy that really works.

The story is based on a play by the Hungarian playwright Ferenc Molnar, “The Play’s the Thing”. In Stoppard’s version, two playwrights and three of the cast of the play they’re writing are all cooped up together on a liner crossing from Cherbourg to New York, trying to complete the script. But a love triangle involving the leading man, the leading lady and the pianist is constantly interfering with the progress of the plot they’re trying to finalise.

Enter Dvornichek, the cabin steward (Charlie Stemp) who is quickly renamed by Turai (John Partridge) and Gal (Matthew Cottle) the writers, and becomes the character who explains all the details of the present situation onstage, for our benefit, as if the action so far hasn’t made it clear enough. Gradually the writers’ power over their play becomes shared, and then taken over, by the rest of the characters: Natasha, the passionate female lead and ex-lover of Ivor Fish (Simon Dutton), Adam (Bob Ostlere) her present fiancé and Dvornichek, now called Murphy the Irish policeman for the purposes of the play within the play. In the tradition of all musical comedies of the first half of the twentieth century, all the knots, both among the characters and in Turai’s play, are satisfactorily untangled and the evening ends with some spectacular dancing by Charlie Stemp and John Partridge, and an unexpected musical performance by Issy van Randwyck as Natasha.

The set is dazzling: we could almost smell the sea air. The costumes and dancing are a delight, the songs and dance routines are beautifully and satirically performed. The whole cast delivers Stoppard’s intricate counterpointed dialogues, full of wordplay and misunderstandings, with perfect dramatic timing. The running jokes are irresistibly funny: the steward, new to the sea-board life, is mysteriously staggering to a ship’s roll when the SS Italian Castle is in the dock, yet in a storm, he stands steady as a rock while the passengers are being thrown helplessly around the deck. And we wonder, will Turai ever actually be served with the brandy he keeps ordering and that Dvornichek keeps faithfully bringing? (No spoilers for that running gag.)

It’s no surprise to read later that in 1953 PG Wodehouse also created a version of Moulnar’s 1926 play, setting it in a castle, with Dvornichek a Jeeves-like butler. Stoppard’s 1984 version has the same appeal as Wodehouse, and this slick comedy hasn’t lost any of its appeal in the twenty-first century. For an evening of fun and laughter, don’t miss it!